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Cortina Productions Media Buying company

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Message from Senior Producer / Senior Business Development Specialist

Creative Media Design and Production Company

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Alisa Katz Senior Producer / Senior Business Development Specialist

Meet Cortina Productions team

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Alisa Katz Senior Producer / Senior Business Development Specialist
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Evan Marshall Senior Producer and Project Manager
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John Duvel chaussures
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John McCarthy Director of Interactive Design
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Kaitlin Lange Senior Business Development Specialist
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Kate Parr Director of Production
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Laura Rieland Freelance CD & Designer
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Lexi Haddad Office Coordinator
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Malachi Musick Teaching Assistant
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Peter Kowen Associate Interactive Producer


About Cortina Productions Media Buying company in United States, United States

Cortina Productions is a full-service creative media design and production company specializing in the museum field. We strive to tell stories in compelling and innovative ways. Our work can be found in museums, cultural institutions, visitor centers, and

Cortina Productions designs and produces award-winning multimedia experiences for museums. From multi-user interactives to 4D theaters we stay on the forefront of technology to develop innovative avenues for expression.

Art is our lens story drives our approach and technology is our tool. Through the fusion of artistry content and technology we render the word to the story the story to the medium and the medium to the space.

Media Design is our collaborative process of working with museums exhibit designers and architects from the start of the design process to help craft the media experiences in harmony with the physical space. This holistic design approach ensures the media experiences are an integral part of how the story unfolds in the space. The key aspects of our work is to gain a clear understanding of the exhibition content and educational goals so we can design activities that best utilize media and technology create inspirational ’wow’ moments that engage and inform visitors and offer a variety of experiences that appeal to a wide range of ages and knowledge levels.

’Ten Days’ film at the George W. Bush Presidential Center.

’The Festival Experience’ at The Museum at Bethel Woods.

Award-winning ’Blue Planet Theater’ at Gwinnett County Environmental and Heritage Center.

’Carmel Church Bone Bed Past Evocation’ at the Virginia Museum of Natural History.

’Threat Theater Experience’ at the Ronald Reagan Presidential Library amp; Museum.

Interactive wall at the Smithsonian National Museum of American History.

Interactive exhibits at the Museum of Science and Industry.

The College Football Hall of Fame is a high-tech home for all things football.

Interactive table at the Carter Presidential Library.

The Greatest film at the Muhammad Ali Center.

Our Augmented Mixed and Virtual Reality (AR MR and VR) experiences provide visitors with opportunities to learn and engage with content beyond their physical environment. At the edge of this revolution in experiential technology Cortina Productions has delivered acclaimed immersive AR MR and VR experiences that enhance augment and immerse visitors in exhibition content. Our AR MR and VR experiences range from AR experiences that place visitors alongside historical characters and professional athletes to complete VR environments as well as using the Microsoft HoloLens to overlay mixed reality content on large-scale artifacts and architectural spaces. Some of the AR MR and VR technologies we are currently developing include:

Virtual Reality animation and live-action environments

Large-scale augmented displays

Microsoft HoloLens Mixed Reality headset experiences

Tablet-based Augmented Reality

Mobile Apps

Mixed Reality experience at the LBJ Presidential Library. Produced for SXSW 2017.

View through the Microsoft HoloLens at the LBJ Presidential Library.

360-degree viewers of College Football stadiums at the College Football Hall of Fame.

’You Are A Niner’ Augmented Reality experience at the San Francisco 49ers Museum.

Augmented Reality experience at the North Carolina Aquarium on Roanoke Island.

Our interactive experiences range from mobile apps to large-scale multiuser interactive tables and theaters as well as gesture-based interactive walls. Each designed to fit the specific needs of the exhibition; we have worked with presidential libraries natural history museums aquariums and professional sports teams. Some of the interactive technologies we are currently developing include:

Live data feeds and data visualizations

iBeacon and advanced wayfinding technology

Holograms and transparent screens

RFID systems and object recognition

Physical interfaces that control digital experiences

Full body interface control

Projection mapping

’Riders Up’ at the Kentucky Derby Museum.

’Driving America’ interactives at The Henry Ford.

’Global Connections Interactive Table’ at the World of Little League: Peter J. McGovern Museum.

’First Responders’ interactive at the Oklahoma City National Memorial amp; Museum.

’Be a Ski Jumper’ simulation at Canadas Sports Hall of Fame.

’Ascent…When Dreams Defy Gravity’ traveling exhibition for Fort Worth Air amp; Space Museum.

Interactive theater at George W. Bush Presidential Library and Museum.

The Common Threads interactive table at the Earl Scruggs Center.

’What Would You Do?’ interactive theater at the National WWII Museum.

’Inasmuch Foundation Uncover-Discover Lab’ at the Oklahoma City National Memorial Museum.

’Rebuilding America Interactive Experience’ at the Ronald Reagan Presidential Library.

’Real-Cost Cafe’ at the Monterey Bay Aquarium.

Award-winning ’Follow the Green Book’ interactive at the Smithsonian National Museum of African American History and Culture.

Our films range from classic theater presentations to immersive multiscreen environments with 4D effects. Distilling key historic events into short film presentations requires many skills including a comprehensive knowledge of the topic at hand the research skills to unearth smaller stories that offer unique angles the ability to design motion graphics that enhance the story and the understanding of new technologies that can be used to offer a dynamic museum experience that evoke the emotions within the story. We employ an expert staff of producers with the necessary experience to create accurate historical recreations and CGI we know how to take complex historical events and capture the emotions they evoke and we are skilled at treating archival footage and interviews in unique ways to create productions that are highly artistic and appealing to a contemporary audience.

Award-winning ’Liberty Fever’ introductory film at the American Revolution Museum at Yorktown.

’Legacy Theater’ at the Ronald Reagan Presidential Library amp; Museum.

Award-winning ’49ers Forever’ signature film at the San Francisco 49ers Museum.

Award-winning ’Nixon’ signature film at the Richard Nixon Presidential Library.

’Making of An American Army’ film for the National Museum of the U.S. Army.

From the Muhammad Ali Center#39;s introductory film If You Can Dream.

The Music of Woodstock at the Museum at Bethel Woods.

From the film ’The Introduction’ for the traveling exhibition celebrating Michael Jacksons incomparable career as a performer artist and philanthropist.

The Dugout Theater at the Kansas City Royals Hall of Fame.

From the signature film ’Play Ball!’ at the World of Little League

’Shipwrecked: A True Texas Tale’ 4D theater at the Bullock Texas State History Museum.

The signature film Aint Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment.

’Ten Days’ at the George W. Bush Presidential Library and Museum.

Signature film for the Canada Sports Hall of Fame.

One of our mobile apps can enhance a visitors experience and make all types of educational content possible; such as audio and video tours multiple language tours ADA accessible tours and childrens tours. However the most powerful feature is the content management system controlling the app behind the scenes. The system enables you to quickly and easily update your app content on the fly allowing you to keep it fresh and up-to-date every day.

Ronald Reagan Library Mobile App.

National Bonsai Museum Mobile App.

Smithsonian#39;s National Zoo Mobile App.

Our CGI capabilities make recreating history possible. Our tools and techniques allow us to create photo-realistic depictions of places and events that cannot be originally shot. Using a combination of original shooting and CGI techniques such as large-format green screen shooting (both on-location and in the studio) and computer-generated imagery we can transport an audience to any time and place. From the Newseums I-Witness 4D to the WWII Museums USS Tang submarine experience to the wreck of La Salles ship La Belle in the film Shipwrecked for the Bullock Texas State History Museum Theater to the Battle of the Capes for the new American Revolution Museum at Yorktown we take audiences through time and space.

17th Century tall ship CG model.

Our software platform includes a custom content management system (CMS) created and programmed in ASP.NET by our programming department. The ease and beauty of the system is that it provides you with tremendous control to change and update content and experiences in a simple nontechnical browser-based control panel. The CMS allows our clients the ability to add new content; edit existing data including adding or deleting media files editing content and editing chapter lists for the associated media files; remove files from being active; delete files permanently; encode media files with one click that allows them to be encoded and published; and sort files and content. The CMS can be utilized for an individual exhibit or can be a comprehensive system that includes multiple exhibits. The CMS also incorporates an analytics system which allows the client to gather metrics to evaluate the visitor usage of each exhibit.

Content management screen from our Chicago Bears interactive wall exhibit.

Interactive wall at the Chicago Bears headquarters at Halas Hall.

We own and operate two RED Dragon 6K digital cinema cameras. Our signature films consist primarily of large format presentations 4k to 15k resolutions with multiple projector and screen surfaces. These amazing cameras enable us to shoot original films at the final display resolution or greater. This unparalleled picture quality and resolution ensures a cinematic experience equal to any modern day theatrical release. These technologies help us create a viewing experience that holds up to the critical eye of the modern audience and ensures a visually stunning product that remains relevant in the face of constantly changing media technologies.

In addition we own and operate a 3-D dual camera rig for our REDs as well as two 360 cameras. Our 15k / 360 camera was custom designed and built in collaboration with Chris Meyhew of Vision III Imaging. Consisting of 10 HD cameras it captures seamless 360-degree live-action images at a final resolution of over 15000 x 1080 pixels. We have utilized our 360 cameras for interactive exhibits for the College Football Hall of Fame and First Landing State Park as well as a 360-theater presentation for the National Museum of the U.S. Army.

One of our two RED cameras fully rigged.

Our custom-made 360 camera system.

Our creative process has been honed to deliver innovative technological avenues for expression. We work closely with you to allow the stories to inspire media design. The media design then develops the experience and the experience determines the technology we use. While directing the process through design and development we help establish and refine interpretive goals and primary messages. We then work to ensure the media is seamlessly integrated into the architectural and exhibit design. By working with AV systems designers we ensure proper presentation systems are specified for each experience. We user test install our media on site adjust color and audio levels and perform final quality checks in the space to ensure the highest quality of our delivered work.

Principals Stephen Platenberg and Amy L. Maddox preparing for original filming.

Accessibility is a core business philosophy at Cortina Productions and we strive to make certain all of our media is physically accessible. We achieve this in two ways: through the placement of our content on the screen as well as the placement of the physical interface within the exhibit space. High contrast colors and large font sizes are additional tools we can use to make sure those with limited sight are able to enjoy our media exhibits.

We open caption every film and interactive we produce. They are a critical part of our filmmaking process and we approach each open caption with the same aesthetic design standards and attention to detail that we give to every other aspect of the creative process.

We also use mobile apps to deliver ADA accessible content to both hearing impaired and low vision individuals.

For example our mobile app tour for the George W. Bush Presidential Library includes a visual descriptive audio tour. Each gallery was described in detail to help the visitor get oriented and provide a sense of the areas ambience. These descriptions were blended with the same content and intimate quotes from President and Mrs. Bush that we used in the general audio tour to provide a full experience. The interface was designed in high contrast with white text on a black background to meet low vision accessibility standards. The buttons were located in the same position as an ADA voting poll to minimize confusion.

The visually accessible audio descriptive tour interface at the George W. Bush Presidential Library.

2019 – MUSE Award – Gold: ’Facial Recognition Personalization Software’ – National Soccer Hall of Fame / Research and Innovation

2019 – MUSE Award –  Merit: ’Laugh Battle’ – National Comedy Center / Onsite Digital Experience

2019 – THEA Award for Outstanding Achievement – ’Be Washington: Its Your Turn to Lead’ – George Washingtons Mount Vernon

2018 – SEMC Technology Competition – Gold: ’Be Washington: Its Your Turn to Lead’ – George Washingtons Mount Vernon

2018 – Science Media Awards – Interactive: ’Fisheries Collapse’ – Phillip and Patricia Frost Museum of Science

2018 – CINE Golden Eagle Award: ’Liberty Fever’ – American Revolution Museum at Yorktown

2018 – THEA Award – Smithsonian National Museum of African American History and Culture

2017 – Communication Arts Interactive Competition – ’Follow the Green Book’ – Smithsonian National Museum of African American History and Culture / Environmental

2017 – THEA Award – Smithsonian National Museum of African American History and Culture

2017 – SEMC Technology Competition – Gold: ’Personal Stories of the Revolution’ – American Revolution Museum at Yorktown / Gallery Installations

2017 – SEMC Technology Competition – Silver: ’Cultural Commons 360° Film’ – Smithsonian National Museum of African American History and Culture / Media Production

2017 – SEMC Technology Competition – Bronze: ’Turret Theater’ – North Carolina Aquarium on Roanoke Island / Media Production

2017 – SEGD Global Design Award – Merit: ’The Segregated Lunch Counter and Panorama of the Civil Rights Movement’ – Smithsonian National Museum of African American History and Culture / Interactive Experience

2017 – MUSE Award – Gold: ’Liberty Fever’ – American Revolution Museum at Yorktown / Video Film amp; Computer Animation

2017 – MUSE Award – Gold: ’Follow the Green Book’ – Smithsonian National Museum of African American History and Culture / Interactive Kiosk

2017 – MUSE Award – Bronze: ’Pacific Visions Promo’ – Aquarium of the Pacific / Public Outreach

2017 – MUSE Award – Honorable Mention: ’Nixon’ – Richard Nixon Presidential Library / Video Film amp; Computer Animation

2017 – CINE Golden Eagle Award – Finalist: ’Turret Theater’ – North Carolina Aquarium on Roanoke Island

2016 – CINE Golden Eagle Award – Finalist: ’49ers Forever’ – San Francisco 49ers Museum

2015 – MUSE Award – Gold: ’Responsibility Theater’ – Oklahoma City National Memorial and Museum / Interactive Kiosks

2015 – MUSE Award – Bronze: ’All Access Pass’ – College Football Hall of Fame / Interpretive Interactive Installations

2014 – MUSE Award – Silver: ’A Queer History of Fashion’ – Museum at FIT / Digital Communities

2012 – CINE Golden Eagle Award – ’Driving America Signature Film’ – Henry Ford Museum

2012  – THEA Award – Canadas Sports Hall of Fame

2011 – MUSE Award – Bronze: ’GuideCamTM’ – Ronald Reagan Presidential Library amp; Museum / Audio Tours and Podcasts

2011 – MUSE Award – Gold: ’Fire Combustion’ – Museum of Science and Industry / Interpretive Interactive Installation

2011 – CINE Special Jury Award – ’Fantastic Journey’ – Museum of Science and Industry

2010 – THEA Award – Science Storms – Museum of Science and Industry

2010 – CINE Golden Eagle Award – ’Tornado’ – Museum of Science and Industry

2010  – CINE Golden Eagle Award – ’Signature Film’ – Montreal Canadiens Hall of Fame

2010  – CINE Golden Eagle Award – ’Fantastic Journey’ – Museum of Science and Industry

2010 – CINE Golden Eagle Award – ’Introductory Film’ – Jimmy Carter Presidential Library and Museum

2010  – CINE Golden Eagle Award – ’Dugout Theater Film’ – Kansas City Royals Hall of Fame

2010 – MUSE Award – Bronze: ’Waging Peace Fighting Disease and Building Hope’ Interactive Table – Jimmy Carter Presidential Library and Museum / Interpretive Interactive Installations

2009 – THEA Award for Outstanding Achievement – America I Am: The African American Imprint – Traveling Exhibition

2009 – THEA Award – The Museum at Bethel Woods

2009 – MUSE Award – Gold: ’Pylons’ – Hall at Patriots Place / Multimedia Installations

2009 – Webby Award Nominee – ’State of Deception’ – United States Holocaust Memorial Museum

2008 – THEA Award – Newseum

2008 – CINE Golden Eagle Award – ’Whats News?’ – Newseum

2008 – MUSE Award – Silver: ’Carmel Church Bone Bed’ – Virginia Museum of Natural History / Interactive Kiosks

2008 – MUSE Award – Bronze: ’The Woodstock Festival Experience’ – Bethel Woods Museum / Multimedia Installations

2007 – MUSE Award – Gold: ’Little Boy and the Seven Grandfathers’ – Smithsonian National Museum of the American Indian / Video

2007 – MUSE Award – Bronze: ’The Greatest’ – Muhammad Ali Center / Video

2007 – MUSE Award – Bronze: ’Blue Planet Theater’ – Gwinnett Environmental and Heritage Center / Multimedia Installation

2007 – THEA Award – ’Real-Cost Cafe’ – Monterey Bay Aquarium

2006 – MUSE Award – Silver: ’Tidepool Olympics’ – Monterey Bay Aquarium / Science

2006 – MUSE Award – Honorable Mention: ’Real-Cost Cafe’ Monterey Bay Aquarium / Science

2006 – CINE Golden Eagle Award – ’If You Can Dream’ – Muhammad Ali Center

2006 – CINE Golden Eagle Award – ’The Greatest’ – Muhammad Ali Center

2005  – CINE Golden Eagle Award – ’Little Boy and the Seven Grandfathers’ – Smithsonian National Museum of the American Indian

2005 – MUSE Award – Silver: ’Whales: Voices in the Sea’ – Aquarium of the Pacific / Science

2003 – CINE Golden Eagle Award – ’First Life’ – Museum 3-D Animation

2003 – CINE Golden Eagle Award – ’Ultimate Guide: Pregnancy’ – Television Special

2003 – MUSE Award – Bronze: ’Make the Call’ – Indiana State Museum / Science

2002 – MUSE Award – Gold: ’WAR Stories’ Videowall – Newseum / Science

2001 – New York Festival Gold Winner – ’WAR Stories’ Best Multi-image Presentation

2000  – CINE Golden Eagle – ’Holocaust: The Untold Story’

2000 – International Monitor Award – ’Holocaust: The Untold Story’ – Best Documentary

1999 – Monitor Award – ’1968: The Year That Changed America’ Special Effects

1998 – Best of Show – ’Whats News’ Columbus Film Festival

1998 – Monitor Award – ’Whats News’ – Outstanding Achievement

1996 – EMMY Award – ’The Centennial Olympics Games’ – Live Special

1993 – Educational Press Award – ’Learning for a Lifetime’

1992 – EMMY Award – Games of the XXV Olympiad – Graphic Design

1992 – EMMY Award – Games of the XXV Olympiad – Edited Special

1992 – Silver Medal – Broadcast Designers Association for Olympic Graphics

1991 – EMMY Award – Tokyo World Championship of Track and Field – Graphic Design

1991 – EMMY Award – Tokyo World Championship of Track and Field – Opens

MUSE Award winner ’Facial Recognition Personalization Software’ at the National Soccer Hall of Fame.

MUSE Award winner Laugh Battle at the National Comedy Center.

THEA and SEMC award winning Be Washington interactive theater at George Washington#39;s Mount Vernon.

Science Media Award winning ’Fisheries Collapse’ interactive at the Frost Museum of Science.

MUSE Award winner Blue Planet Theater for the Gwinnett Environmental Heritage Center.

MUSE Award winner Hall of Fame Pylons at the New England Patriots Hall at Patriot Place.

MUSE Award winner Little Boy and the 7 Grandfathers for the National Museum of the American Indian.

MUSE Award winner ’Pacific Visions Promo’ at the Aquarium of the Pacific.

CINE Golden Eagle Award finalist 49ers Forever at the San Francisco 49ers Museum.

MUSE Award winner ’A Queer History of Fashion’ at The Museum at FIT.

THEA Award winner ’Science Storms’ at the Museum of Science and Industry.

CINE Golden Eagle Award winner ’Dugout Theater Film’ at the Kansas City Royals Hall of Fame.

MUSE Award winner Waging Peace Fighting Disease and Building Hope’ Interactive Table at the Jimmy Carter Presidential Library and Museum.

CINE Golden Eagle Award winner ’Whats News?’ at the Newseum. ’Whats News?’ also received Best of Show from the Columbus Film Festival and the Monitor Award in Outstanding Achievement.

MUSE Award winner ’Carmel Church Bone Bed’ at the Virginia Museum of Natural History.

MUSE Award winner ’The Woodstock Festival Experience’ at The Museum at Bethel Woods.

MUSE and CINE Golden Eagle Award winner The Greatest at the Muhammad Ali Center.

CINE Golden Eagle Award winner ’Ultimate Guide: Pregnancy at the Museum of Science and Industry.

From the National Museum of African American History and Culture in Washington, DC, to the Museum of Science and Industry in Chicago, to Canada’s Sports Hall of Fame in Calgary, to the San Francisco 49ers Museum in Santa Clara, our films and interactive e


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